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Yane Calovski & Hristina Ivanoska_ACT_Magazin_Interview_2012

Hristina Ivanoska and Yane Calovski

As a synthesis of sculpture and A form of an answer is a research project and an a work-in-progress addressing labor, knowledge and representation. Specific sources that are referenced in the project include an original exercise book of tailoring student Antoinette van Eyck, a young Dutch woman that attended one-year tailoring course

Yane Calovski and Hristina Ivanoska: Epilogue (Form of an Argument)

The artistic practice of internationally recognized Macedonian artists, Yane Calovski and Hristina Ivanoska, which date since 2000, is complex and contextual. It is engaged with issues and concepts of architecture, history and art theory, and political reality, so it can create new process productions, storyline of displays and new knowledge.

A guided video tour | Yane Calovski: Personal Object

Welcome to a guided video tour of Yane Calovski’s exhibition ’Personal Object’, where the director and curator of Kohta, Anders Kreuger, introduces individually six works from the exhibition. https://kohta.fi/event/a-guided-video-tour-yane-calovski-personal-object/ Educated in the US, Japan and the Netherlands, Yane Calovski (North Macedonia, 1973) has been active in the Macedonian capital Skopje since the

“In the pause of a gesture there might be an echo”, a conversation between Jeroen Boomgaard and Yane Calovski

Source: http://www.inthepauseofagesturetheremightbeanecho.eu/index.php/en/22-titlescat/65-30-4-2020-17-14-jeroen-boomgaard-and-yane-calovski-started-a-conversation Dear visitor, The conversation below is an exchange between two people who until recently were not aware of each other’s practices. Both Jeroen Boomgaard and Yane Calovski were invited to contribute to the symposium. Knowing their work and domains of interest we thought that an animating discussion could

“Undisciplined: A Construction of an Archive”, text by Yane Calovski

Every time we experience the loss of something associated with our collective history, be it a document, a building, or a person, we feel that we lose our footing in both the present and the future. A disconcerting, disorienting, and ultimately debilitating sensation. Moreover, the ideology of remembering and archiving

UNACCEPTABLE: THE UNPUBLICNESS OF PUBLIC ARCHIVES, a talk by Yane Calovski, PUBLICS, Helsinki

Every time we experience loss of something associated with our collective history, be it a document, a building or a person, we feel that we lose our footing in both the present and the future. A disconcerting, disorienting and ultimately debilitating sensation. Moreover, the ideology of remembering and archiving is

Yane Calovski and Hristina Ivanoska: “Epilogue (Form of an Argument)”, review by Sylvie Fortin

ART PAPERS REVIEW, by Sylvie Fortin November 11, 2018–March 15, 2019 Museum of Contemporary Art Skopje, Skopje   Occupying two ground-floor galleries of the Museum of Contemporary Art (MoCA) – Skopje, Epilogue (Form of an Argument) was something of a karmic exhibition: one of those rare instances when artists and their work come home

Yane Calovski and Hristina Ivanoska’s “Epilogue (A Form of an Argument)”, review by Anders Kreuger

ART AGENDA REVIEW, by Anders Kreuger November 11, 2018–March 15, 2019 Museum of Contemporary Art Skopje, Skopje In the age of belated terrestrial awareness and multiple other opportunities and threats foisting themselves upon us daily, the joint solo exhibition by Yane Calovski and Hristina Ivanoska at the Museum of Contemporary Art

IASPIS Artist in Residence 2018: Yane Calovski

Interview by Annika Enqvist, Photography and editing by Alvaro Campo, Produced by Iaspis, Stockholm. Yane Calovski (MKD) is an artist, researcher, publisher and a cultural activist. By converging notions of archiving while augmenting a method similar to the immediacy of drawing, his research is focused on designing discursive frameworks for