Works

Document Missing at Archaeology of Resistance, ŠKUC Gallery, in the frame of 29. Mesto Žensk, Ljubljana

My installation Document Missing: On Methodology (text, voice, and body) consisted of a triptych of photographs, a garment, and Cyrillic typography was part of the group exhibition Archaeology of Resistance curated by Iva Kovač with participating artists: Alicia Grullón, Amanda Gutiérrez, Barbara Blasin, Hristina Ivanoska, Katia Kameli, kolektiv SIDE, Mónica

Virginia Was Not Fun At All, premiere of a live performance at 14. Performance Reihe Neu-Oerlikon 2023, Zurich

Virginia Was Not Fun At All, premiere of a live performance in the frame of 14th Performance Reihe Neu-Oerlikon 2023, Oerliker Park, Zurich, curated by Maricruz Penaloza and Biljana Tanurovska-Kjulavkovski. Photo: Markus Goessi.   She wears a pink robe, loosely draped over her body, and has four large sacks. She

Broken Document Breaks Out into Poetry / group exhibition On Violence, Budapest Gallery / curated by Lívia Páldi

Broken Document Breaks Out into Poetry combines video documentation, wall engraved text, textile work, and wooden objects to create a sense of complexity and frustration from the years-long research dedicated to women’s unknown, undocumented, lost, forgotten, and marginalized history. The installation was part of the group exhibition On Violence, Budapest

All Things Flowing, Yane Calovski and Hristina Ivanoska at Kunsthalle Wien

Collaborative work by Yane Calovski and Hristina Ivanoska, as part of No Feeling Is Final. The Skopje Solidarity Collection a joint exhibition of Kunsthalle Wien and the Museum of Contemporary Art (MoCA) Skopje, North Macedonia curated by What, How & for Whom / WHW (Ivet Ćurlin, Nataša Ilić and Sabina

Exhibition / Document Missing: On Methodology (text, voice and body)

Document Missing is an ongoing research-based art project that I started developing in 2014, which deals with the forms, narratives, and aesthetics of women’s resistance strategies and political actions in Macedonia in the first half of the 20th century and their linking with today’s forms of resistance. As a main

Exhibition / Yane Calovski and Hristina Ivanoska / If a story is present / Art Encounters Foundation, Timișoara

07.07.-03.09.2022 Art Encounters Foundation presents If a story is present, the first exhibition in Romania dedicated to internationally renowned Macedonian artists Yane Calovski and Hristina Ivanoska, who live and work in Skopje and Berlin. If a story is present is curated by Diana Marincu. It includes a selection of recent works, both individual and collaborative, as well

Live performance at Manifesta 14 Prishtina / Document Missing: Performance no. 6 (Daughter)

“Document Missing: Performance no. 6 (Daughter)”, duration 25 min, National Library, Prishtina, selected by Catherine Nichols, creative moderator  for Manifesta 14 Prishtina, 2022, © Hristina Ivanoska. Photo © Manifesta 14 Prishtina / Atdhe Mulla Memories are raw oral material. They are dirty and messy. How does one get to the

Installation at Manifesta 14 Prishtina / Document Missing: Broken Document Breaks Out Into Poetry

Document Missing: Broken Document Breaks out into Poetry, 2022, installation, as part of the exhibition Good as Hell: Voicing Resistance, National Library, Prishtina, curated by Catherine Nichols, creative mediator for Manifesta 14 Prishtina, © Hristina Ivanoska. Photo © Manifesta 14 Prishtina / Ivan Erofeev. https://manifesta14.org/participant/hristina-ivanoska/ -Text by Catherine Nichols in

Live Performance at Skopje Pride Weekend 2022 / Document Missing: Performance no. 6 (Daughter)

“Document Missing: Performance no. 6 (Daughter)” was premiered on the 2 June 2022, at the Museum of Contemporary Art in Skopje, as part of the exhibition “Ecstatic Bodies: Archive of Performance Queer Bodies in Macedonia” curated by Slavcho Dimitrov and Biljana Tanurovska Kjulavkovski, in the frame of “Skopje Pride Weekend 2022.”

Exhibition / Yane Calovski and Hristina Ivanoska: Epilogue (A Form of an Argument)

The artistic practice of internationally recognized Macedonian artists, Yane Calovski and Hristina Ivanoska, which date since 2000, is complex and contextual. It is engaged with issues and concepts of architecture, history and art theory, and political reality, so it can create new process productions, storyline of displays and new knowledge.