Objects

Exhibition / Document Missing: On Methodology (text, voice and body)

Document Missing is an ongoing research-based art project that I started developing in 2014, which deals with the forms, narratives, and aesthetics of women’s resistance strategies and political actions in Macedonia in the first half of the 20th century and their linking with today’s forms of resistance. As a main

Exhibition / Yane Calovski and Hristina Ivanoska / If a story is present / Art Encounters Foundation, Timișoara

07.07.-03.09.2022 Art Encounters Foundation presents If a story is present, the first exhibition in Romania dedicated to internationally renowned Macedonian artists Yane Calovski and Hristina Ivanoska, who live and work in Skopje and Berlin. If a story is present is curated by Diana Marincu. It includes a selection of recent works, both individual and collaborative, as well

Live performance at Manifesta 14 Prishtina / Document Missing: Performance no. 6 (Daughter)

“Document Missing: Performance no. 6 (Daughter)”, duration 25 min, National Library, Prishtina, selected by Catherine Nichols, creative moderator  for Manifesta 14 Prishtina, 2022, © Hristina Ivanoska. Photo © Manifesta 14 Prishtina / Atdhe Mulla Memories are raw oral material. They are dirty and messy. How does one get to the

Installation at Manifesta 14 Prishtina / Document Missing: Broken Document Breaks Out Into Poetry

Document Missing: Broken Document Breaks out into Poetry, 2022, installation, as part of the exhibition Good as Hell: Voicing Resistance, National Library, Prishtina, curated by Catherine Nichols, creative mediator for Manifesta 14 Prishtina, © Hristina Ivanoska. Photo © Manifesta 14 Prishtina / Ivan Erofeev. https://manifesta14.org/participant/hristina-ivanoska/ -Text by Catherine Nichols in

Group exhibition / Installation “Broken Document Breaks Into Poetry”

The installation Broken Document Breaks Into Poetry was part of the group exhibition “Whiteness as Property. The Conditions of Racism and Ownership” curated by Ana Hoffner ex-Prvulovic* at the Künstlerhaus, Vienna (12.02.-06.06.2022). Photo: MNagl. https://www.e-flux.com/announcements/408981/whiteness-as-property/ -Text by Ana Hoffner ex-Pervulovic* Ivanoska works with Oscar Hansen’s the theory of Open Form,

Catalogue / Yane Calovski and Hristina Ivanoska, EPILOGUE (A FORM OF AN ARGUMENT)

YANEHRISTINA_EPILOGUE_book_low EPILOGUE (FORM OF AN ARGUMENT), catalogue (Macedonian and English), authors: Yane Calovski and Hristina Ivanoska, texts by Branka Benćič, Iskra Geshoska, design: Ariane Spanier. Published by Museum of Contemporary Art, Skopje, 2019; ISBN: 978-608-264-003-7

Exhibition / Yane Calovski and Hristina Ivanoska: Epilogue (A Form of an Argument)

The artistic practice of internationally recognized Macedonian artists, Yane Calovski and Hristina Ivanoska, which date since 2000, is complex and contextual. It is engaged with issues and concepts of architecture, history and art theory, and political reality, so it can create new process productions, storyline of displays and new knowledge.

Exhibition / Yane Calovski and Hristina Ivanoska / Dialogue (A Form of an Answer)

Curator of the exhibition: Branka Benčić Organized by Tihomir Milovac, Museum of Contemporary Art, and Vanja Žanko, Nomad. Produced by Museum of Contemporary Art and Nomad. Supported by Ministry of Culture of the Republic of Croatia, City of Zagreb, and City of Skopje. Partners: Apoteka – Space for Contemporary Art

Exhibition / Yane Calovski and Hristina Ivanoska / Prologue (A Form of a Question)

Apoteka – Space for Contemporary Art, Vodnjan, Croatia (27.09. – 20.10.2017) Curated by Branka Benčić Photo© Matija Debeljuh and Yane Calovski The exhibition by Yane Calovski and Hristina Ivanoska at Apoteka – Space for Contemporary Art in Vodnjan, Prologue (A Form of a Question) is a first part of a

56. Venice Biennial / Yane Calovski and Hristina Ivanoska / We are all in this alone / Pavilion of the Republic of Macedonia

Hristina Ivanoska and Yane Calovski’s collaborative project We are all in this alone represented the Republic of Macedonia at the 56th Venice Biennale. Curated by Başak Şenova, the first foreign curator appointed to the Pavilion of the Republic of Macedonia, the project was commissioned by the deputy curator Maja Cankulovska Mihajlovska of the National Gallery of Macedonia and supported by the Ministry