Collaborative work by Yane Calovski and Hristina Ivanoska, as part of No Feeling Is Final. The Skopje Solidarity Collection a joint exhibition of Kunsthalle Wien and the Museum of Contemporary Art (MoCA) Skopje, North Macedonia curated by What, How & for Whom / WHW (Ivet Ćurlin, Nataša Ilić and Sabina
Document Missing is an ongoing research-based art project that I started developing in 2014, which deals with the forms, narratives, and aesthetics of women’s resistance strategies and political actions in Macedonia in the first half of the 20th century and their linking with today’s forms of resistance. As a main
07.07.-03.09.2022 Art Encounters Foundation presents If a story is present, the first exhibition in Romania dedicated to internationally renowned Macedonian artists Yane Calovski and Hristina Ivanoska, who live and work in Skopje and Berlin. If a story is present is curated by Diana Marincu. It includes a selection of recent works, both individual and collaborative, as well
Document Missing: Broken Document Breaks out into Poetry, 2022, installation, as part of the exhibition Good as Hell: Voicing Resistance, National Library, Prishtina, curated by Catherine Nichols, creative mediator for Manifesta 14 Prishtina, © Hristina Ivanoska. Photo © Manifesta 14 Prishtina / Ivan Erofeev. https://manifesta14.org/participant/hristina-ivanoska/ -Text by Catherine Nichols in
The installation Broken Document Breaks Into Poetry was part of the group exhibition “Whiteness as Property. The Conditions of Racism and Ownership” curated by Ana Hoffner ex-Prvulovic* at the Künstlerhaus, Vienna (12.02.-06.06.2022). Photo: MNagl. https://www.e-flux.com/announcements/408981/whiteness-as-property/ -Text by Ana Hoffner ex-Pervulovic* Ivanoska works with Oscar Hansen’s the theory of Open Form,
YANEHRISTINA_EPILOGUE_book_low EPILOGUE (FORM OF AN ARGUMENT), catalogue (Macedonian and English), authors: Yane Calovski and Hristina Ivanoska, texts by Branka Benćič, Iskra Geshoska, design: Ariane Spanier. Published by Museum of Contemporary Art, Skopje, 2019; ISBN: 978-608-264-003-7
ART PAPERS REVIEW, by Sylvie Fortin November 11, 2018–March 15, 2019 Museum of Contemporary Art Skopje, Skopje View of Yane Calovski and Hristina Ivanoska’s “Epilogue (A Form of an Argument)” at the Museum of Contemporary Art Skopje, Skopje, 2018–19. Photo: Vase Amanito Petrovski. All images courtesy of the artists and Museum of
The artistic practice of internationally recognized Macedonian artists, Yane Calovski and Hristina Ivanoska, which date since 2000, is complex and contextual. It is engaged with issues and concepts of architecture, history and art theory, and political reality, so it can create new process productions, storyline of displays and new knowledge.
ART AGENDA REVIEW, by Anders Kreuger November 11, 2018–March 15, 2019 Museum of Contemporary Art Skopje, Skopje View of Yane Calovski and Hristina Ivanoska’s “Epilogue (A Form of an Argument)” at the Museum of Contemporary Art Skopje, Skopje, 2018–19. Photo: Vase Amanito Petrovski. All images courtesy of the artists and Museum