Collaborative work by Yane Calovski and Hristina Ivanoska, as part of No Feeling Is Final. The Skopje Solidarity Collection a joint exhibition of Kunsthalle Wien and the Museum of Contemporary Art (MoCA) Skopje, North Macedonia curated by What, How & for Whom / WHW (Ivet Ćurlin, Nataša Ilić and Sabina
Invisible Archives_selected pages_Hristina Ivanoska_Artistic Research Invisible archives: Makedonkа – Organ of the WAF (1944-1952), historical experiences and cultural memory; Publisher: Center for Research of Nationalism and Culture (CINIK); Editors: Ivana Hadjievska and Jana Kocevska; Authors: Ivana Pantelić, Ivana Hadjievska, Jana Kocevska, Darko Leitner-Stojanov, Manja Velichkovska, Hristina Ivanoska, Jelena Milinković; Reviewer;
Document Missing is an ongoing research-based art project that I started developing in 2014, which deals with the forms, narratives, and aesthetics of women’s resistance strategies and political actions in Macedonia in the first half of the 20th century and their linking with today’s forms of resistance. As a main
“Document Missing: Performance no. 6 (Daughter)”, duration 25 min, National Library, Prishtina, selected by Catherine Nichols, creative moderator for Manifesta 14 Prishtina, 2022, © Hristina Ivanoska. Photo © Manifesta 14 Prishtina / Atdhe Mulla Memories are raw oral material. They are dirty and messy. How does one get to the
“Document Missing: Performance no. 6 (Daughter)” was premiered on the 2 June 2022, at the Museum of Contemporary Art in Skopje, as part of the exhibition “Ecstatic Bodies: Archive of Performance Queer Bodies in Macedonia” curated by Slavcho Dimitrov and Biljana Tanurovska Kjulavkovski, in the frame of “Skopje Pride Weekend 2022.”
The installation Broken Document Breaks Into Poetry was part of the group exhibition “Whiteness as Property. The Conditions of Racism and Ownership” curated by Ana Hoffner ex-Prvulovic* at the Künstlerhaus, Vienna (12.02.-06.06.2022). Photo: MNagl. https://www.e-flux.com/announcements/408981/whiteness-as-property/ -Text by Ana Hoffner ex-Pervulovic* Ivanoska works with Oscar Hansen’s the theory of Open Form,
The Large Glass Magazine_OH MoMA The Instrument
Makedonium_Dramaturgy of the Unfinished_SMALL MAKEDONIUM: DRAMATURGY OF THE UNFINISHED, book (Macedonian and English), authors: Yane Calovski and Hristina Ivanoska, texts by Jovanka Popova, Yane Calovski, Hristina Ivanoska, Antoanela Petkovska, Sonja Abadzieva Dimitrova, Bojan Ivanov, Keith Brown, design: Neda Firfova. Published by press to exit project space, Skopje, 2020; ISBN: 978-608-4945-00-0.
YANEHRISTINA_EPILOGUE_book_low EPILOGUE (FORM OF AN ARGUMENT), catalogue (Macedonian and English), authors: Yane Calovski and Hristina Ivanoska, texts by Branka Benćič, Iskra Geshoska, design: Ariane Spanier. Published by Museum of Contemporary Art, Skopje, 2019; ISBN: 978-608-264-003-7
ART PAPERS REVIEW, by Sylvie Fortin November 11, 2018–March 15, 2019 Museum of Contemporary Art Skopje, Skopje View of Yane Calovski and Hristina Ivanoska’s “Epilogue (A Form of an Argument)” at the Museum of Contemporary Art Skopje, Skopje, 2018–19. Photo: Vase Amanito Petrovski. All images courtesy of the artists and Museum of