My installation Document Missing: On Methodology (text, voice, and body) consisted of a triptych of photographs, a garment, and Cyrillic typography was part of the group exhibition Archaeology of Resistance curated by Iva Kovač with participating artists: Alicia Grullón, Amanda Gutiérrez, Barbara Blasin, Hristina Ivanoska, Katia Kameli, kolektiv SIDE, Mónica
TEXTE ZUR KUNST Issue no. 131 / September 2023 “Reviews” Collecting Out of/as Solidarity Sabeth Buchmann and Ana Hoffner ex-Prvulovic* on “No Feeling Is Final. The Skopje Solidarity Collection” at the Kunsthalle Wien Museum collections, and thus also the processes behind such accumulations of objects, are rarely the subject of
Virginia Was Not Fun At All, premiere of a live performance in the frame of 14th Performance Reihe Neu-Oerlikon 2023, Oerliker Park, Zurich, curated by Maricruz Penaloza and Biljana Tanurovska-Kjulavkovski. Photo: Markus Goessi. She wears a pink robe, loosely draped over her body, and has four large sacks. She
Broken Document Breaks Out into Poetry combines video documentation, wall engraved text, textile work, and wooden objects to create a sense of complexity and frustration from the years-long research dedicated to women’s unknown, undocumented, lost, forgotten, and marginalized history. The installation was part of the group exhibition On Violence, Budapest
Collaborative work by Yane Calovski and Hristina Ivanoska, as part of No Feeling Is Final. The Skopje Solidarity Collection a joint exhibition of Kunsthalle Wien and the Museum of Contemporary Art (MoCA) Skopje, North Macedonia curated by What, How & for Whom / WHW (Ivet Ćurlin, Nataša Ilić and Sabina
Invisible Archives_selected pages_Hristina Ivanoska_Artistic Research Invisible archives: Makedonkа – Organ of the WAF (1944-1952), historical experiences and cultural memory; Publisher: Center for Research of Nationalism and Culture (CINIK); Editors: Ivana Hadjievska and Jana Kocevska; Authors: Ivana Pantelić, Ivana Hadjievska, Jana Kocevska, Darko Leitner-Stojanov, Manja Velichkovska, Hristina Ivanoska, Jelena Milinković; Reviewer;
Document Missing is an ongoing research-based art project that I started developing in 2014, which deals with the forms, narratives, and aesthetics of women’s resistance strategies and political actions in Macedonia in the first half of the 20th century and their linking with today’s forms of resistance. As a main
“Document Missing: Performance no. 6 (Daughter)”, duration 25 min, National Library, Prishtina, selected by Catherine Nichols, creative moderator for Manifesta 14 Prishtina, 2022, © Hristina Ivanoska. Photo © Manifesta 14 Prishtina / Atdhe Mulla Memories are raw oral material. They are dirty and messy. How does one get to the
“Document Missing: Performance no. 6 (Daughter)” was premiered on the 2 June 2022, at the Museum of Contemporary Art in Skopje, as part of the exhibition “Ecstatic Bodies: Archive of Performance Queer Bodies in Macedonia” curated by Slavcho Dimitrov and Biljana Tanurovska Kjulavkovski, in the frame of “Skopje Pride Weekend 2022.”
The installation Broken Document Breaks Into Poetry was part of the group exhibition “Whiteness as Property. The Conditions of Racism and Ownership” curated by Ana Hoffner ex-Prvulovic* at the Künstlerhaus, Vienna (12.02.-06.06.2022). Photo: MNagl. https://www.e-flux.com/announcements/408981/whiteness-as-property/ -Text by Ana Hoffner ex-Pervulovic* Ivanoska works with Oscar Hansen’s the theory of Open Form,