Sculptures

Document Missing at Archaeology of Resistance, ŠKUC Gallery, in the frame of 29. Mesto Žensk, Ljubljana

My installation Document Missing: On Methodology (text, voice, and body) consisted of a triptych of photographs, a garment, and Cyrillic typography was part of the group exhibition Archaeology of Resistance curated by Iva Kovač with participating artists: Alicia Grullón, Amanda Gutiérrez, Barbara Blasin, Hristina Ivanoska, Katia Kameli, kolektiv SIDE, Mónica

Review by Sabeth Buchmann and Ana Hoffner ex-Prvulovic* / “No Feeling is Final. The Skopje Solidarity Collection” at the Kunsthalle Wien

TEXTE ZUR KUNST Issue no. 131 / September 2023 “Reviews” Collecting Out of/as Solidarity Sabeth Buchmann and Ana Hoffner ex-Prvulovic* on “No Feeling Is Final. The Skopje Solidarity Collection” at the Kunsthalle Wien Museum collections, and thus also the processes behind such accumulations of objects, are rarely the subject of

Exhibition / Yane Calovski and Hristina Ivanoska / If a story is present / Art Encounters Foundation, Timișoara

07.07.-03.09.2022 Art Encounters Foundation presents If a story is present, the first exhibition in Romania dedicated to internationally renowned Macedonian artists Yane Calovski and Hristina Ivanoska, who live and work in Skopje and Berlin. If a story is present is curated by Diana Marincu. It includes a selection of recent works, both individual and collaborative, as well

Catalogue / Yane Calovski and Hristina Ivanoska, EPILOGUE (A FORM OF AN ARGUMENT)

YANEHRISTINA_EPILOGUE_book_low EPILOGUE (FORM OF AN ARGUMENT), catalogue (Macedonian and English), authors: Yane Calovski and Hristina Ivanoska, texts by Branka Benćič, Iskra Geshoska, design: Ariane Spanier. Published by Museum of Contemporary Art, Skopje, 2019; ISBN: 978-608-264-003-7

Exhibition / Yane Calovski and Hristina Ivanoska: Epilogue (A Form of an Argument)

The artistic practice of internationally recognized Macedonian artists, Yane Calovski and Hristina Ivanoska, which date since 2000, is complex and contextual. It is engaged with issues and concepts of architecture, history and art theory, and political reality, so it can create new process productions, storyline of displays and new knowledge.